Credit: Lionsgate 2x Anamorphic dedicated for large format As for the numerous fight scenes, those were captured by a group of ARRI LF cameras, paired with the new series of ALFA anamorphic lenses, developed by ARRI Rental.
Thus, the ARRI Mini LFs were utilized mainly for those sequences. For instance, a dedicated complex and impressive rig of Mini LF cameras was built to shoot car chases. Laustsen shot with the ARRI ALEXA LF and cameras, while the Mini version was applied for certain action shots. The movie aims to be screened on the huge canvas, hence, certified IMAX cameras were utilized, as a part of the ‘ Film for IMAX’ program. One of the reasons is to distinguish this chapter from previous chapters and to allow optimal IMAX screening. Watch the trailer below:ĭP Dan Laustsen and Director Chad Stahelski have decided to shoot John Wick 4 on large format cinematography tools. Filming took place at Luxembourg Gardens and the Church of St. Several French crew, including the Location Manager, described filming in Paris as “hell” due to a two-week delay filming in Germany, Stahelski had less time to scout Paris and would improvise and change locations last minute. Principal photography began on June 2021, on a $100 million budget, and took place in France, Germany, New York City, and Japan. The movie is the sequel to John Wick: Chapter 3 – Parabellum (2019) and the fourth installment in the John Wick franchise. John Wick: Chapter 4 is a 2023 American action film directed by Chad Stahelski and shot by cinematographer Dan Laustsen. John Wick 4: ARRI Mini LF and ALFA lens John Wick 4 DP Dan Laustsen used the ARRI ALEXA LF and Mini LF and paired them with the newly announced ARRI Rental’s ALFA large format X2 anamorphic lenses. The cinematography uniqueness of the 4th John Wick as compared to the rest of the chapters is the fact that it was ‘Filmed for IMAX’ on large format cameras and lenses.
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